These are poems in progress as well as pieces that have been published in various journals. This blog is a work in progress just as the poems are a work in progress. I hope you enjoy them. I welcome comments.

Saturday, April 30, 2011

Are Poets 'Romantic?'





Or is that just something someone who doesn't understand the real beauty of language, image, sound and day to day life would say?

I vote the latter. Of course. I don't much care for the empty verse which is an advertisement or a TV reality show. And in a metaphorical sense - to spell it out - because some need it spelled out: that means a sham or a shadow of what things actually should be, because they have been so hackneyed and so formulaic that even if valid, only a structure remains.

Not truth or beauty. You know Keats would agree. And it took me a while to understand that ode - even though I grasped it back in high school.

This is a poem built on a latin phrase, runs through Omaha, NE in the snow and the wisdom of cats. Orignally published in Dislocate, the University of Minnesota's literary magazine:


Prediction

My small cat crouches outside the screen door -
still open, through winter is coming. Even stone lions
outside libraries shiver; blind but smiling,
smelling the air and listening for snow,
tasting it on the tips of their cement tongues.
It will taste like silence.
Now he waits outside, old leaves
trailing behind him down Jackson Street
as if they could follow autumn. I have
already taken in the flowers -
the chrysanthemums believing they must
bloom in December, the lethargic
ficus tree.


"Tough Cat," my neighbor christend Robert,
though the name doesn't fit -
he's sheep-faced; chin snow-cupped
like a clown. He hesitates with the wisdom
of the very sad or very funny; decides
at the last moment to bolt.
But this bravado will not last.
The cantakerous sky tells the future.
Semper Fidelis, stone lions state wisely,
bringing on the expectation of snow.

Saturday, April 9, 2011

Pin Curls: All That Goes Around, Comes Around


It never ceases to be an amazement to me that I originally wrote this poem at the age of 18 and published it years and years later in an academic press.

It reminds me (and sometimes I need this) that all things are possible, given focus. There is, yes, such a thing as being overly creative, all typical protestations of writer's block aside.

Originally published in Yemassee, the University of South Carolina's literary magazine:



Vinegar & Water

Half asleep, dreaming my words
I am curling Grandma's hair a she leans across me
whispering crepey powder and faded love letters, and talking
about pretty girls who loved only books

But that was all right,

as I wound the pin curls sprayed with vinegar and water
and smiled 14-year-old righteousness at the reflection in the mirror
as our eyes met countenance repeated
letting my words grow tight and round.

Last night, dreaming, I realized she was right: I do lie.
remembering her death face after writing my book about rescues
which no one wants but approach wistfully, like piquant masks
forming circles of eyes and mouths and caricaturing us all.

I find a list is imminent - an inventory of pins and needles -
crucifixes all, and of my births
wrapped individually so she can't touch their realities
I wonder if she was right:

Meaningless context like band-aid marriages and dreaming in color
to see the pictures,

Not all that pretty.

There are gray strands in her hair in the mirror
in the tone of her eyes - refracted visions -
If I can conquer this window, I can pin anything.